Description
INSIDE THE BOOK
Eighteen models. Shot entirely in black and white across digital, 35mm, and instant film. The choice of three formats is not aesthetic variety for its own sake: each medium carries a different relationship to time. Digital precision. The grain and contrast of 35mm. The softness and accident of Polaroid and Instax, which appear throughout the book as a counterpoint to the larger format work.
Architecture functions not as backdrop but as structural element: facades, staircases, bare walls that hold their own presence in the frame. The book treats restraint as a form of rigor. By removing color, everything that remains has to earn its place.
CRAFTSMANSHIP
Every copy is handled personally by me. Each book is individually numbered by hand, packaged with care, and shipped directly from the studio. No fulfillment center, no intermediary — just the work, treated the way it deserves to be.
LIMITED EDITIONS
Each release is deliberately limited — not as a marketing gesture, but as a structural decision. The work is meant to be collected, not endlessly reproduced. Once an edition is sold out, it will not be restocked. This limitation is not about scarcity. It is about integrity. About preserving the context in which the work was created — a specific moment in time, fixed in print.
Every copy carries its own handwritten number. A quiet marker of individuality within a finite body of work.
CRAFT CHARACTERISTICS
No two prints are entirely identical.
Subtle variations in color, density, or surface are an inherent result of the printing process and the materials used. These shifts are not imperfections — they are the physical trace of translation from digital file to printed object. éhonté exists in this space between precision and material reality.
Each print reflects the conditions of its making: ink, paper, pressure, light. Small deviations are part of that process and should be understood as an extension of the work itself, not as flaws.
